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LAB-PR-01 / Teacher preparation

Foam relief and reversal

Which surface transfers ink, which marks stay light, and how does direct printing reverse an image?

100 minutes active estimate24 students / 12 groupsUntested procedure

Modern classroom adaptation. Foam, ballpoint indentation, modern relief ink, baren and paper are substitutions. The model shares the raised-surface principle with woodcut but uses no carved wooden matrix and establishes no historic print-run capacity. Anonymous historical imagery does not establish an Indigenous cutter.

Student procedure ↗

These protocols have not been physically or classroom tested. Pilot the actual materials and chosen transfer method before teaching. Use the stated fallback if its conditions cannot be met.

Before teaching

  • Choose actual school-approved products; read current labels/SDS and school requirements.

  • Pilot the chosen hands-on method and document real failures, quantities, timings, drying/release and accessibility.

  • Verify equipment, supervision, handling, waste and incident procedures.

  • Apply lab-specific fallback whenever procurement, source visibility or safe-transfer conditions cannot be met.

Lab-specific review

  • Actual foam/ink/paper/baren combination must transfer without unsafe force or puncturing.

  • Proof 2 changes only one selected factor; preserve proof/state records and two subsequent impressions.

Teacher preparation

Preparation allowance: 30–45 minutes after the materials pilot. Check plates, precut paper if necessary, prepare registration guides, cover tables, establish dry/ink/wet-cleanup zones, and assign drying positions. Purpose-made foam should take an indentation without piercing under the approved tool.

Pilot record: Product names and batch if available; foam thickness; paper and weight; ink and amount; brayer and baren; active time; drying behavior; pressure needed; the appearance of shallow and deeper grooves; cleanup route; waste. Keep failed samples. No claim that the supplied 120 mL stock must be consumed is appropriate.

Demonstrate a thin ink film and what a filled groove looks like. Avoid the shortcut of telling students to use a fixed number of roller passes regardless of the film. Do not dilute ink unless its manufacturer directs it. An art spoon may substitute for a baren only after a successful pilot and must never return to food use.

At six stations, 24 students may need more than one printing period for four impressions each. Provide a queue task, such as record completion or historical image analysis, and extend the schedule rather than cutting cleanup short. Precut shapes, partner-directed rubbing, and analysis of a supplied plate offer equivalent intellectual participation.

Stop conditions: Foam tearing, unsuitable sharp edges, damaged tools, repeated paper tearing, unexpected product reaction, or an unmanageable queue. Reconfigure the method before proceeding. The task requires no carving tools or powered press.

Schedule and equipment queues

Period 1: 8 minutes object/technique discussion; 7 demonstration and safety; 15 design; 12 transfer/impress; 8 cleanup and prediction.

Period 2: 5 minutes setup; 10 first proof; 8 diagnosis and matrix revision; 15 three further impressions; 7 cleanup; 5 exit explanation. If the six printing stations create queues, reserve a third short period rather than rushing cleanup.

Alternative material plans

Use the accessible alternatives and fallback instructions in the student procedure.

Editorial corrections

The current student procedure is the teaching baseline.

Safety and stop conditions

Read these controls with the teacher before handling materials. Chemical etching is historical context only; the practical intaglio activity uses drypoint without mordants.

Controls

  • Class of 24, working as 12 pairs; six washable workstations, each shared by two pairs.

  • Room has handwashing, stable tables, drying space, accessible routes, and a teacher who can supervise the chosen tools.

  • The drypoint option assumes one proper, maintained etching press operated only by a trained adult under the school's procedures. A no-press alternate is described separately and must be piloted.

  • Sizes and stock estimates are intentionally small. Scale consumables by student count divided by 24, rounding upward. Equipment quantities depend on throughput, not simply headcount.

  • No food or drink. Aprons are protective workwear, not proof that a product is safe. Read current product labels and safety data sheets; follow the school's risk assessment and disposal rules. The CPSC guide is a general starting point, not a substitute for local approval. [S1]

  • Maintain separate clean-paper, ink, and wet-cleanup zones. Cover tables. Take ink residues off tools with scrap first; dispose of residues according to school policy before washing. Do not assume “water-washable” authorizes pouring concentrated ink into a sink.

  • Students may work as designer, recorder, proofreader, or paper handler when a physical operation is inaccessible. Participation and historical reasoning must not depend on grip strength or speed.

  • Photograph only student work and hands when school permission permits. Do not publish names or images without the school's normal consent process.

  • Keep supporting hand out of moving pen path, avoid puncturing foam, use light controlled inking, and do not touch wet ink.

Stop when

  • Unknown or unsuitable product, missing risk assessment, damaged tool/material, unsafe station, discomfort, or failed actual-stock pilot: pause and use approved alternatives.

  • Queue or cleanup time exceeds safe schedule: extend the lesson rather than rush.

Trained adult only

  • Teacher pre-cuts stock, selects actual products and SDS, approves setup and waste management, and pilots transfer.

Excluded activities

  • Student carving knives/gouges in the foam and movable-block exercises.

  • Chemical etching baths, household-acid substitutes, electro-etching, solvent grounds, improvised press machinery, and experiments on original heritage materials.

Cultural and source review

Specific specialist/practitioner review or permission is needed before claiming cultural endorsement or expanding into community-specific or restricted practice. No paid review, purchase, or spending is imposed as a blanket release gate for these explicitly labeled ordinary classroom adaptations. Do not claim any such consultation has occurred.

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